- A composed research by Marc Sinan and Nataly Bleuel: Bombs Fall, Bombs Kill. Daily and yet anonymous. Who is a perpetrator and who is a victim in war is often in the eye of the beholder. The concert DIFFERENT BOMBS is a composed research for 8 electric guitars, 8 violas, 8 double basses.
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In the interactive installation, OUMUAMUA communicates with the audience and with the musicians Laura Robles, Oğuz Büyükberber and Marc Sinan. It collects sounds and stories that the audience shares with it, and even reacts to movements and touches.
In the concert, musician Laura Robles interacts with the sounds, stories, movements and touches that the audience shared with OUMUAMUA during the installation.
In the interactive installation, OUMUAMUA communicates with the audience and with the musicians Laura Robles, Oğuz Büyükberber and Marc Sinan. It collects sounds and stories that the audience shares with it, and even reacts to movements and touches.
In the interactive installation, OUMUAMUA communicates with the audience and with the musicians Laura Robles, Oğuz Büyükberber and Marc Sinan. It collects sounds and stories that the audience shares with it, and even reacts to movements and touches.
In the concert, the musician Oğuz Büyükberber interacts with the sounds, stories, movements and touches that the audience shared with OUMUAMUA during the installation.
In the concert, musician Marc Sinan interacts with the sounds, stories, movements and touches that the audience shared with OUMUAMUA during the installation.
The technologically and artistically advanced first sub-projects by Sara Glojnarić (UA), Nicola Hein (UA) and Malte Giesen in collaboration with the Marc Sinan Company and the Robot Orchestra of the Logos Foundation Gent will be presented on 21.09.2024 in our Spreehalle Berlin and the following day on the grounds of the Hochschule für Technik und […]
AIODE Paradise is the second part of the Marc Sinan Company's exploration of music and artificial intelligence. In Marc Sinan's song cycle Neofilia, which is dedicated to the topos of love for the "stranger" against misogyny and xenophobia, an AI controls a self-playing harpsichord and interacts with other musicians.
