{"id":13049,"date":"2024-08-07T09:36:29","date_gmt":"2024-08-07T09:36:29","guid":{"rendered":"https:\/\/marcsinan.de\/profile-alternative\/"},"modified":"2025-11-10T14:30:42","modified_gmt":"2025-11-10T14:30:42","slug":"profile","status":"publish","type":"page","link":"https:\/\/marcsinan.de\/en\/profile\/","title":{"rendered":"Profile"},"content":{"rendered":"\t\t
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Marc<\/span>
Sin<\/span>an
Comp<\/span>any<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Marc Sinan<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Marc Sinan is a composer. In his work, he explores new ways of collaboration between artists in a transcultural and transmedia context. He usually works as composer, artistic director and guitarist with his own ensemble, the Marc Sinan Company, as well as with changing international guests and institutional partners. Recordings of his works are released on ECM Records. He lives and works in Berlin. His mostly full-length works address current socio-political issues. They are performed internationally and have been guests at festivals such as the Schleswig-Holstein Music Festival, Istanbul Festival, MaerzMusik as well as at houses such as the Oper Halle, Oper Wuppertal, Theater Bremen, Humboldt-Forum Berlin, the Gorki Theater and the Wiener Konzerthaus. Sinan has collaborated with the Royal Philharmonic Orchestra, Badisches Staatstheater Karlsruhe, Philharmonie Jena, Staatskapelle Weimar, Staatsphilharmonie N\u00fcrnberg, Dresdner Sinfoniker, No Borders Orchestra, Ensemble ConTempo Beijing, Belgrade Ensemble Metamorphosis, Sonar Quartet, Neue Vocalsolisten Stuttgart, Medienkollektiv schnellebuntebilder, Iva Bittov\u00e1, O\u011fuz B\u00fcy\u00fckberber, J\u00f6rg Widmann, Kayhan Kalhor and countless other ensembles, musicians:and artists from Europe, Asia, Africa and North America. Works (excerpt): Hasretim (2010) Oksus (2011) Dede Korkut (2014) Komitas (2015) I Exist (2017) Number of the Beast (2018) Endless Pleasures: Survival (2020) Chaosmos (2020) Am Anfang (2020) Different Bombs (2021) Manifest(o) (2021) Human Commodity (2022) Seven Spirits (2022\/23) Kriegsweihe (2023) Offenbarung (2023) OUMUAMUA (2024) Albums (ECM): Fasil, Hasretim, White<\/p>\n<\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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MSC<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Marc Sinan Company enriches the scene of independent ensembles of European contemporary music with a focus on three essential aspects of content: collective memory as well as media and cultural diversity and permeability. Since 2008, the company’s projects have addressed socially immanent themes and artistic approaches to collective remembrance, such as the commemoration of the Shoah in the oratorio Gleissendes Licht, the victims of the so-called NSU in Manifest(o), the confrontation with the Armenian genocide in Komitas and Aghet, or the memory of the trauma of the Second World War in Different Bombs. At the same time, the focus is on media and technological innovation, such as in the Human Commodity app on the subject of forced labor in Berlin, the integration of artificial intelligence and interactivity in the science fiction installation Oumuamua, the interactive church organ in Dekalog or immersion and virtual reality in the collaboration with West African artists, Am Anfang. The company’s approach is also post-migrant and transcultural, in the sense of a natural representation of diversity, for example in the longing project Hasretim, a musical journey in the footsteps of traditional musicians along the coast of the Black Sea, the Uzbek road movie Oksus or the transmedia Chinese-German cooperation Survival. Based in Berlin, the Marc Sinan Company develops its award-winning productions with numerous international artists and orchestras. Under the artistic direction of Marc Sinan, the musicians O\u011fuz B\u00fcy\u00fckberber, Susanne Fr\u00f6hlich, Daniel Eichholz, Meinrad Kneer and the music dramaturge Holger Kuhla realize concerts, performances, installations and music theatre projects worldwide in alternately expanded line-ups. Among the renowned guests are Du Yun, Sara Glojnaric, Iva Bittov\u00e1, Kettly No\u00ebl (Mali), Ulzhan Baibussynova (Kazakhstan), Ensemble ConTempo Beijing (China), the Djiguiya Orchestra (Mali), Ensemble Resonanz (Hamburg), Neue Vocalsolisten (Stuttgart) and many more. Cooperation partners include the Humboldt-Forum Berlin, Badisches Staatstheater Karlsruhe, Kampnagel Hamburg, Kunstfest Weimar, Residenztheater Munich, Oper Halle, Oper Wuppertal, Nationaltheater Weimar, Philharmonie Jena, Buchenwald Memorial, Documentation Center for Nazi Forced Labor in Obersch\u00f6neweide, Musik der Jahrhunderte Stuttgart. The MSC projects have received several awards, e.g. from UNESCO and the German Record Critics’ Award. The Marc Sinan Company has its own venue, the Spreehalle Berlin, and runs and curates the online label www.pantopia-music.org<\/a>.<\/p>\n<\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\tMusicians:inside<\/span>\n\t\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/h4>\n
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– Araik Bartikian, duduk – Ulzhan Baybussynova, dombra, zhirau, vocals – Raju Bhopa, vocals – Iva Bittov\u00e1, violin, vocals – Mustafa Bozt\u00fcy, darbuka, framedrum – Oguz B\u00fcy\u00fckberber, clarinet, electronics, composer – Joel Diarra, Balafon – Daniel Eichholz, percussion – Paul Frick, electronics, DJ, composer – Sascha Friedl, flute – Susanna Fr\u00f6hlich, recorder – Cosima Gerhardt, violoncello – G\u00fc\u00e7 Ba\u015far G\u00fclle, Du – Iida Hirvola, violoncello, voice & Dayam Khan, harmonium, vocals – Kayhan Kalhor, kamanche, composer – Kalle Kalima, guitar – Jun Kawasaki, double bass – Miako Klein, recorder – Meinrad Kneer, double bass – Heinrich K\u00f6bberling, drums – Lassin\u00e9 Kon\u00e9, Kamale Ngoni – Almut K\u00fchne, vocals, performance – Jelena Kulji\u0107, vocals, performance – Toir Kuziyev, sato – Johannes Lauer, trombone – Christian Lillinger, percussion – Karen Lorenz, viola, voice & Signing – Vazgen Makaryan, duduk, zurna – Sasa Mirkovic, viola – David Moss, voice, drums, guitar – Marc Muellbauer, double bass – Bernd \u00d6zsevim, drums, papamir, dholak, vocals – Ayumi Paul, violin – Habib Sangare, bolon – \u00d6mer Can Sat\u0131r, kaval – Maria Schneider, percussion – Onur \u015eent\u00fcrk, Kemen\u00e7e – Erdem \u015eim\u015fek, Ba\u011flama – Marc Sinan, Guitar, Composer, Director, Artistic Director – Askar Soltangazin, Dombra – Claudio Puntin, Clarinet – Carl Thiemt, Voice – Lena Thies, Viola – Matthias Worm, Viola – Biliana Voutchkova, Violin – Emily Yabe, Violin, Voice & Signing – Rolf Zielke, piano<\/p>\n\t<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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– Angela Baumgart, stage, costumes – Eylien K\u00f6nig, sets – Lili Laube, puppets – Cleo Niemeyer, costumes – Hagen Tilp, puppets – Isabel Vollrath, costumes<\/p>\n\t<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\tSound<\/span>\n\t\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/h4>\n
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– Volker Greve, sound engineer – Asle Karstadt, sound engineer – Silvio Naumann, sound – Torsten Ottersberg, sound conception, production & sound direction – Karsten Lipp, sound design – Ilija Dordevic, sound design – Hans K\u00f6nnecke, sound design – J\u00f6rg Surrey, sound engineer – Hannes H\u00f6lzl, sensor technology – Florian Guist, sensor technology – Gerriet K. Sharma, spatial sound \/ Ikosaeder – Taucher Sounds \/ Johannes Scherzer, spatial sound<\/p>\n\t<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\tInstitutional partners and sponsors<\/span>\n\t\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/h4>\n
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– Anadolu K\u00fclt\u00fcr – Federal Foreign Office – Badisches Staatstheater Karlsruhe – Ballhaus Naunynstra\u00dfe – Berliner Projektfonds Kulturelle Bildung – Berliner Staatskanzlei f\u00fcr Kulturelle Angelegenheiten – B\u00fchnen Halle – Central Conservatory of Music, Beijing – Complexe Culturel BlonBa – Creative Europe – German UNESCO Commission – Deutsches Nationaltheater Weimar – Die Irritierte Stadt – ECM Records – Ethnologisches Museum in den Staatlichen Museen zu Berlin – Fonds Daku – Fonds Experimentelles Musiktheater – Fonds Soziokultur GIZ – Goethe-Institut – Gorki – Hauptstadtkulturfonds – Hellerau – Europ\u00e4isches Zentrum der K\u00fcnste Dresden Humboldtforum Berlin- Jaipur Virasat Foundation – Humboldt-Forum – Jena Kultur – Kampnagel – KULTUR 2007-2013 – Kulturstiftung der Deutsch-T\u00fcrkischen Wirtschaft – Kulturstiftung des Bundes – Kulturstiftung des Freistaates Sachsen – Kulturstiftung Dresden der Dresdner Bank – Kunststiftung Sachsen-Anhalt – Kunststiftung NRW – Landeshauptstadt Dresden – Musik der Jahrhunderte Stuttgart – Musikfonds – M\u00fcnchener Kammerspiele – Oper Bremen – Oper Wuppertal – Radialsystem V – Residenztheater – Theaterhaus Stuttgart<\/p>\n\t<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\tFine arts<\/span>\n\t\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/h4>\n
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– Damian (1963-2017) & Delaine Le Bas, visual artists – Raphael Sbrzesny, visual artist, musician – Filip Zorzor, painter, stage, video<\/p>\n\t<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\tVideo \/ Interactive Design<\/span>\n\t\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/h4>\n
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– Cyberr\u00e4uber, video – Hans-Peter Eckardt, camera, video – Adrian Figueroa, video – Fabian Knecht, video – Clemens H\u00fcbner, video editing – Maria Lanowski, video – Isabel Robson, video, stage – schnellebuntebilder, video, stage design, lighting design – Lonni Wong, video – Meredith Thomas, digital artist “creative technologist” – Mirko Borscht, video direction – Werkstattkollektiv, Ulrike Prehn, set design<\/p>\n\t<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\tPartner ensembles<\/span>\n\t\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t\t\n\t\t\t\t\n\t\t<\/i>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/h4>\n
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– AuditivVokal – Bielefelder Opernchor – Bielefelder Philharmoniker – Bremer Philharmoniker – Dresdner Kammerchor – Dresdner Sinfoniker – Ensemble ConTempo – Ensemble Metamorphosis – Julia H\u00fclsmann Trio – National Chamber Orchestra of Armenia – Neue Vocalsolisten Stuttgart – No Borders Orchestra – Philharmonie Jena – Sinfonieorchester Wuppertal – Sonar Quartett – Staatskappelle Halle – Staatskapelle Weimar – Theater Bremen – Badisches Staatskapelle Karlsruhe – Ensemble Resonanz – Orchestre delle Svizzeria Italiana – Konzerthausorchester Berlin – Kyiv Symphony Orchestra<\/p>\n\t<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Marc Sinan Company Marc Sinan MSC .<\/p>\n","protected":false},"author":1,"featured_media":12699,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"iawp_total_views":166,"footnotes":""},"class_list":["post-13049","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/marcsinan.de\/en\/wp-json\/wp\/v2\/pages\/13049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcsinan.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marcsinan.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marcsinan.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcsinan.de\/en\/wp-json\/wp\/v2\/comments?post=13049"}],"version-history":[{"count":24,"href":"https:\/\/marcsinan.de\/en\/wp-json\/wp\/v2\/pages\/13049\/revisions"}],"predecessor-version":[{"id":16361,"href":"https:\/\/marcsinan.de\/en\/wp-json\/wp\/v2\/pages\/13049\/revisions\/16361"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/marcsinan.de\/en\/wp-json\/wp\/v2\/media\/12699"}],"wp:attachment":[{"href":"https:\/\/marcsinan.de\/en\/wp-json\/wp\/v2\/media?parent=13049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}